PreSonus HP2 Stereo Headphone Amplifier and Roland RH-5 Headphones Bundle

$123.68

GTIN: 680642925529 SKU: 680642925529 Category: Tags: , , ,

Description

Designed for musicians and performers who demand mobility without compromising audio quality, the HP2 personal headphone amplifier is a great choice for driving wired in-ear monitors (IEMs), as well as headphones. PreSonus HP-series headphone amplifiers have long been popular for their loud, clean, clear sound and roadworthy built quality. The new HP2 delivers these qualities in an easily affordable, stereo device so you’ll hear every note and beat clearly wherever your music takes you.

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SettingsPreSonus HP2 Stereo Headphone Amplifier and Roland RH-5 Headphones Bundle removeSuhr Reactive Load removeBlack Lion Augio PG-P Portable Power Conditioner removeRupert Neve Designs 542 500 Series Tape Emulator removeRupert Neve Designs Portico 511 500-Series Mic Preamp with Texture Control Standard removeRupert Neve Designs 535 Diode Bridge Compressor remove
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SKU680642925529819438029299696550597352014109675456601410967660880921455844363
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Price$123.68$233.31$48.78$878.70$876.68$490.86
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Description
ContentDesigned for musicians and performers who demand mobility without compromising audio quality, the HP2 personal headphone amplifier is a great choice for driving wired in-ear monitors (IEMs), as well as headphones. PreSonus HP-series headphone amplifiers have long been popular for their loud, clean, clear sound and roadworthy built quality. The new HP2 delivers these qualities in an easily affordable, stereo device so you'll hear every note and beat clearly wherever your music takes you.
The Suhr Reactive Load delivers a simple solution to capture all of the warmth, and dynamics of your sound, without the hassle of miking a speaker cabinet during a live or recorded performance. The Reactive Load takes the place of your speaker cabinet in your signal chain. It provides an 8Ω load for your tube amplifier (maximum 100 watts), and produces a balanced and unbalanced signal that interfaces with recording devices, effects, and power amplifiers. The Suhr Reactive Load is the perfect link between your amplifier and computer audio recording interface. You can use the Reactive Load with your existing library of speaker impulse responses (IR) for the most realistic direct recording experience possible. Traditional resistive load boxes will safely load your amplifier, but they also alter the tone, dynamics, and response of your amplifier. Real speakers do not have a fixed resistance across the entire frequency spectrum. Real speakers are reactive. The impedance curve of the Reactive Load has been painstakingly tuned to react like a speaker. Your amp will never know the difference. The Reactive Load is dedicated to being the absolute best load box possible with zero compromises, and therefore does not include speaker emulation. You can use the Reactive Load with your speaker-sim or impulse response of choice, and benefit from the natural response, dynamics, and touch sensitivity of your amp. The Suhr Reactive Load features a balanced or unbalanced line level output. The INPUT is optimized for the 8 ohm output of your amplifier and the THRU jack can be connected to a physical speaker cabinet. If a physical cabinet is connected to the THRU jack, the Reactive Load’s internal load is bypassed and the amp will see the load of the physical cabinet. SPEAKER INPUT IMPEDANCE: 8 Ohm DI / LINE OUT LEVEL: +4 dBu at 7 watts input, maximum level setting BALANCED LINE OUTPUT IMPEDANCE: Less than 6KΩ UNBALANCED LINE OUTPUT IMPEDANCE: Less than 6KΩ MAXIMUM RECOMMENDED INPUT POWER: 100 Watts RMS ROHS COMPLIANT: Yes DIMENSIONS: 8.8" (W) x 8.9" (D) x 3.6" (H) WEIGHT: 6.6lb
There’s no doubt that when it comes to power, musicians have it bad. Whether it’s modern modeling amplifiers, or vintage synthesizers, bad power is gonna be heard throughout your signal. And it’s everywhere — in homes, on stages, and especially in many rehearsal rooms. Black Lion Audio has been trusted for years for modifying the best gear and making it even better, and that’s what it took to create the PG-P: taking industry-standard designs, and improving them to the point of peak performance. After creating an entire lineup of industry-best power conditioners, Black Lion Audio felt it was time to give the world proper portable power. The PG-P might look like a run-of-the-mill surge protector, but in reality it’s a studio-class power conditioner — PG-P doesn’t just provide more noise filtering than other portable conditioners, it provides the same noise filtering found in the majority of the world’s rack-mount power conditioners! Your gear deserves the best power, and Black Lion Audio took great care in making sure the PG-P delivers just that — thanks to it’s PG-P Filtering Technology. The PG-P is built using premium Panasonic capacitors, due to their superior execution in eliminating high frequency noise that robs equipment of its peak performance. In testing, this has provided an average of 3x the noise filtering of other portable power conditioners at the same price point. Six wall-wart spaced outlets provide studio-grade power on the go; perfect for any musician’s rig!
  • PG-P Filtering Technology for an average of 3x the noise reduction of other portable power conditioners
  • The same noise filtering found in the majority of rack-mount power conditioners
  • 6 wall-wart spaced outlet power conditioner
  • Status LEDs for quick power analysis
  • High-end Panasonic capacitors to filter out performance-robbing high-frequency noise
  • Tour-grade 9ft power cable
  • Proper safeguard protection with a power absorption rating of 540 joules
  • Recessed feet keep the PG-P from sliding, while still providing mounting options (screw mount, velcro, etc.)
  • Rounded corners make for a gentle surface area for smaller power cords.

Rupert Neve Designs Portico 542 500 Series Tape FX Standard

FEATURES

  • Add depth and character to your sound
  • Control the mix of pre and post tape signals
  • Send signals through "True Tape" circuitry
  • Silk circuit, reduces negative feedback, adding harmonic content as needed
  • Red Silk accentuates the saturation in the mid and high frequencies
  • Use soft clip to tame overly transient material like drums
  • Provides +/- 12dB adjustment of level on incoming signal levels

TECHNICAL SPECIFICATION

Rupert Neve Designs Portico 542 500 Series Tape FX
  • Line Amp Specifications (Measurements with tape circuit disengaged)
  • Noise: Measured at Main Output, un-weighted, 20Hz-22kHz, Input Terminated 40 Ohms.
  • Unity Gain Better than -100dBu
  • Frequency Response
  • Measured at +10dBu, trim at unity.
  • Main Output +/- 0.25dB from 5Hz to 60Khz -2dB @ 120KHz
  • Maximum Output Level 23.25dBu
  • Total Harmonic Distortion and Noise:
  • @ 1kHz, +20dBu output level Better than 0.0025% @ 20Hz, +20dBu output level 0.07% Typical (2nd and 3rd harmonic)
  • Tape FX Specifications
  • Noise:
  • Measured at Main Output, un-weighted, 20Hz-22kHz, Input Terminated 40 Ohms.
  • Saturation @ minimum Better than -100dBu Saturation @ maximum Better than -100dBu
  • Frequency Response:
  • 15 IPS, Input @ -0 dBu -3dBu @ 28kHz Saturation @ minimum 0dBu @ 10Hz +5dBu Peak @ 60Hz
  • Saturation @ maximum -3dBu @ 20kHz -3dBu @ 12.5Hz +2.4dBu Peak @ 60Hz
  • 30 IPS, Input @ -0 dBu -3dBu @ 120kHz Saturation @ minimum -3dBu @ 10Hz +3.15dBu Peak @ 125Hz
  • Saturation @ maximum -3dBu @ 100kHz -3dBu @ 12.5Hz
  • +1.3dBu Peak @ 110Hz
  • Total Harmonic Distortion and Noise
  • Refer to sweeps on page10 15 IPS, Input @ -0 dBu 0.4% @ 3kHz to 1% @ 175Hz typical
  • Saturation @ minimum Greater than 1% below 175Hz typical
  • Saturation @ maximum 1% at 6kHz typical 0.3% @ 1kHz to 3% @ 50Hz typical
  • 30 IPS, Input @ -0 dBu 1% at 1kHz typical
  • Saturation @ minimum 0.6% @ 400Hz 5% @ 20Hz typical
  • Saturation @ maximum 1.5% @ 20kHz to 0.4% @ 1kHz typical 0.4% @ 1kHz to 2 %@ 50Hz typical
  • Power requirements:
  • Supplied by 500 series rack with 110-125 mA @ +/- 16V DC

FEATURES

  • 12-way precision rotary switch controls gain from 0 to 66 dB in 6 dB steps
  • Continuously variable +/-6 dB level control
  • Silk circuit, reduces negative feedback, adding harmonic content as needed
  • Red Silk accentuates the saturation in the mid and high frequencies
  • Same presence and sweetness found in standard Portico Series modules
Number of Channels
Single
Inputs
1x XLR, balanced
Output
1x XLR, transformer-balanced
Maximum Output Level
+23dBu
Meter
8 segment LED meter
Power Requirements
Power Requirements @ +/-16VDC 100mA
Dimensions
Not specified by manufacturer
Box Dimensions (LxWxH)
10.2 x 7.8 x 2"
  • FAST – Fast Attack (750us), Fast Release (130ms)
  • MF – Medium Attack (2.25ms), Fast Release (130ms)
  • MED – Medium Attack (2.25ms), Medium Release (400ms)
  • MS – Medium Attack (4ms), Slow Release (725ms)
  • SLOW – Slow Attack (10ms), Slow Release (1S)
  • AUTO – Medium Attack (5ms), Dual Decay Release (T1 500ms, T2 1s)The LINK switch allows the compressor to be linked to another 535 compressor module via a sidechain control voltage. In link mode, the compressor generating the greater sidechain voltage (resulting in higher amounts of compression) will control the compression of both audio signal paths to maintain proper stereo center image while compressing. Note: it is advisable to always audition the unlinked sound as well, to decide if the benefit of a constant stereo center image is worth the potential trade-off of reduced left / right independence in the stereo field.
  • SIDECHAIN HPF

    LEVEL AND GAIN REDUCTION METERING

Weight
DimensionsN/AN/AN/AN/AN/AN/A
Additional information