| Content | Brand New, in sealed original box, never used, in perfect condition!
Tascam product info:
Built-in DSP 4 line outputs Dante converter to respond to various needs of contractor market and professional audio scene.
The ML-4D/OUT-E is a compact converter that converts Dante input signals into 4-channel line output signals. With half the size of a standard 1U rack, the ML-4D/OUT-E is suitable for different Dante systems as an exquisite analog output unit. The built-in DSP mixer enables small scale systems to fully perform with a variety of input/output models the TASCAM Dante Compact Processor Series offers. ML-4D/OUT-E supports up to 96kHz/24bit and uses Euroblock connectors for analog line output.
4 line output
4 Dante input/output
Supports PoE (Power over Ethernet)
Up to 24bit/96kHz
Includes a variety of DSP functions for optimal use in different scenes/environments (Output effects, 4 in/4 out matrix mixer)
Supports Dante daisy chain; this allows two Dante Compact Processor models to be connected without a network switch
Compatible with Dante Domain Manager and Dante AES67 Mode
Flexible scene preset function allows to work in different area situations (Up to 50 presets)
Timer event function allows to automatically switch scenes at a specified time (planned to be compatible on a future version update)
2 types of user control software available for Windows/Mac/iOS/Android devices:
For integrators: input/output routing selection, DSP/design/scene settings of the complete system, etc.
For end-users: simple app design for only the necessary functions such as area volume settings, etc.
Remote control via GPI and Dante
Half-rack mountable size
Equipped with indicators that show LAN/Dante connection status and sample rate
Equipped with signal indicators that monitor line output signals
Configurable reference level (via remote control only) | Espandibile fino a 32 canali - QCon Pro XS8 + 1 fader motorizzati sensibili al tocco con risoluzione a 10 bitFader LED a 12 segmentiDoppio display LCD retroilluminato 2 × 56 per visualizzare il nome del canale. i valori di controllo. ecc. Per ogni canaleDisplay LED a 12 segmenti che mostra la posizione temporale del progetto in formato SMPTE o BBT - 18 pulsanti assegnabiliRotella jog shuttle per ricerca e controllo velociPulsanti illuminati per ogni canale. inclusi Record Enable. Solo. Mute. Select e Monitor6 pulsanti illuminati tra cui Play. Stop. Rec. Rewind. Fast Forward e LoopPulsante ZOOM illuminato con 4 pulsanti di direzione9 pulsanti funzione MIDI assegnabili illuminatiEspandibile a 32 canali utilizzando 3 unità di espansione QCon XSDue (2) connettori da 1/4 per interruttori a pedale e pedaliClasse compatibile con Windows XP. Vista (32 bit). Windows 7 (32 bit e 64 bit). Windows 8 (32 bit e 64 bit). Windows 10 (32 bit e 64 bit) e Mac OS XConnettività USB 2.0 ad alta velocitàIl driver ICON Quick-Setup è disponibile per Cubase. Nuendo. Reason e Bitwig per la compatibilità plug & play istantaneaBitwig Studio 8-Track DAW è incluso.Mackie Control integrato per tutte le DAW elencate (ad eccezione di ProTools che utilizza il protocollo Mackie HUI)Facile aggiornamento del firmware disponibile tramite connessione USB e software iMapQualità costruttiva superiore e robusto involucro in metallo con porta per blocco Kensington
Dimensioni: Lunghezza 51cm - Profondità 23.5cm - Altezza 57.5cm - Volume 0.068m³
Icon # Qcon Pro X - controller per DAW # Controller Midi / Controller Midi USB # Serie Qcon | Heritage Audio's MCM-8 MK2 is an 8-slot 500 Series chassis with an integrated 10-channel summing mixer. The top-of-the-line MCM-8 MK2 features On Slot Technology that leverages next-generation power electronics to handle power supply on a per slot basis. Each slot has its own power supply linear regulation stages, isolating each module from the rest. Your modules simply share the metal enclosure. Each slot even has test LEDs for checking correct power operation. Dual-concentric potentiometers handle Volume and Pan for each slot, with pan pots being center detented for precise center positioning. Each channel is equipped with an On switch to assign it to the mix bus. MK2 improvements include a lower noise floor and the addition of a bypass switch for each slot that still lets you use the summing mixer functions. Heritage Audio has earned the respect of Sweetwater engineers, and the MCM-8 MK2 lives up to that sterling reputation.
Superb build and feature set
From its RAF blue-gray enclosure to the solid tactile feedback from its knobs and switches, the Heritage Audio MCM-8 MK2 unabashedly rocks vintage British Class A vibe. And just like the classic gear that inspires all Heritage Audio equipment, the MCM-8 MK2 boasts superb build quality and a very smart feature set. There's an additional stereo input on the back panel, which allows several MCM-8 MK2 units to be daisy-chained — or signals not needing further 500 Series processing to be mixed together. The central section sports analog VU meters and a Stereo Master fader. Gold-plated XLRs and DSUB25s handle the I/O.
Smart technology, superior sound
Thanks to Heritage Audio's On Slot Technology (OST), the MCM-8 MK2's power capability is a maximum of 400mA per rail, per slot — with an overall of 1.4A (1.6A non-continuous) per rail, whichever is reached first. Total available phantom power is 140mA. The mix bus has a passive voltage summing topology, similar to that found in Rupert Neve's 80 Series consoles of the 1970s. The gain loss is restored by the same Class A, 2n3055 driven, transformer-based output stage used in the Heritage Audio's modern-day version of the classic 1073. If you're not into specs, what this all means is that the MCM-8 MK2 is built right to give you many years of authoritative sonic performance and trouble-free use in your studio or on the road.
Heritage Audio MCM-8 MK2 Features:
- 8-slot 500 Series chassis with integrated 10-channel summing mixer
- NEW lower noise floor
- NEW bypass switch for each slot that leaves summing mixer functions enabled
- Mix bus with vintage Neve-style passive voltage summing topology
- Additional stereo input on the back panel allows several MCM-8s to be daisy-chained
- Central section sports analog VU meters and a Stereo Master fader
- Handles power supply on a per slots basis, isolating each module from the rest
- Gold-plated XLRs and DSUB25s handle your I/O
- 140mA total available phantom power
- Class A transformer-based output stage
- Solid build quality for many years of trouble-free use
| Add the undeniably vibrant sound of analog summing to your DAW with the SPL MixDream XP 16 x 2 analog summing mixer. Take one of your past projects and mix it through the MixDream XP and you'll hear more depth, enhanced stereo imaging, and noticeably punchier dynamic impact. The Class A design and 60-volt rails in the MixDream XP provide amazing headroom and ultra-low noise, rivaling the sound of full-featured analog consoles. Once you've got your submixes sounding just right, Sweetwater can highly recommend the SPL MixDream XP summing mixer to take your mix over the top.
SPL MixDream XP 16 x 2 Summing Mixer at a Glance:
- Deeper, wider mixes from analog summing
- Premium analog design for top-notch sound
- Expandable for higher channel counts
Deeper, wider mixes from analog summing
While the debate over analog vs. digital summing is not new, most engineers agree that summing your mix through high-quality analog gear sounds awesome. Compared to the exact same mix summed in your DAW, you'll notice that the SPL MixDream XP sums your mix with greater depth and enhanced stereo definition, with an undeniably vibrant quality.
Premium analog design for top-notch sound
SPL designed the MixDream XP summing mixer with 60-volt rails for an outstanding 125dB dynamic range, with a very low noise floor too.The discrete Class A topology was designed to give you essentially the same sound as a high-end mixing console, in a convenient rackmount form factor.
Expandable for higher channel counts
Need more than 16 channels of analog summing? It's easy to expand your summing capabilities with additional MixDream XPs. Just use the expansion inputs to daisy-chain your MixDream XPs, or even mix and match with SPL MixDream model 2384 summing mixers.
SPL MixDream XP 16 x 2 Summing Mixer Features:
- 16-in, 2-out analog summing mixer
- Amazing dynamic range and ultra low noise, thanks to discrete Class A design and 60-volt rails
- Multiple units can be linked for surround operation
- Allows you to achieve an analog vibe that's difficult to create with plug-ins
- Ideal for mixing and mastering applications
| The Purple Audio Moiyn is an innovative 500 Series 8-channel summing amp module that transforms your Sweet Ten rack into an 8 x 2 mixer. When using this feature, you can still use the first eight modules' outputs as you normally would into your DAW or tape machine. Place the Moiyn in slot nine of the rack, and you then are able to assign each module (in slots 1-8) to either of the two outputs via the Moiyn's front-panel buttons. Finally, use the rotary knob to adjust your output volume. The Purple Audio Moiyn is an ideal way to get the most from your Sweet Ten rack.
Purple Audio - the quality is designed in
Sweetwater is proud to carry Purple Audio. Founded in 1997 by Andrew Roberts, Purple Audio has kept the analog flame burning brightly with acclaimed professional signal processors and studio problem solvers based on inspired new designs and fresh takes on coveted classic gear. Handcrafted in Pennsylvania, Purple Audio equipment is built for the long haul, using only the finest components. Let Purple Audio's innovative engineering elevate your studio's sonic quality and juice your workflow.
Purple Audio Moiyn 500 Series Summing Amplifier Features:
- Designed specifically for mounting in Slot 9 of Purple Audio's Sweet Ten 500 Series rack
- Transforms your Sweet Ten rack into an 8 x 2 mixer
- Discrete signal path with 2 KDJ3 Summing Amplifiers and 2 KDJ4 Output Amplifiers
- Differential summing amplifier with 15 Kilohm inputs
- Stereo balanced inject
- 8 Input left/right assignable
- Current consumption: 90mA
- Discrete signal path
- Auto-resetting fuse shuts down individual module without affecting entire rack or console
- Includes high-quality 2-bus rotary master fader
- Cascade multiple Sweet Tens with Moiyns for more channels
- Requires Purple Audio's Sweet Ten rack
- ROHS certified lead-free
| The Heritage Audio MCM-20.4 is a rackmount analog summing mixer that delivers vintage-quality sonics along with sophisticated routing options to streamline your hybrid studio setup. The MCM-20.4 offers 16 input channels arranged into two subgroups of eight. Each channel features concentric pan and level controls plus a balanced insert and a mute switch. Each group has its own stereo fader and balanced insert point. Both stereo subgroups are passively summed into the master bus, which has its own balanced insert point and VU meters. Makeup gain is provided by a transformer-coupled, 1073-style Class A mic preamplifier with four transformers (two per channel). Four channels of pre/post-fader aux sends are provided: AUX 1 and 2 are mono; AUX 3 is stereo. Insert send points are always signal-present, giving them an alternative use as direct outputs for recording. Rear-panel connections are made via DB-25 connectors; except for the master bus, which has dedicated XLRs.
The best of both worlds
Done up in classic RAF blue-gray livery — complete with concentric pots and Marconi knobs — the Heritage Audio MCM-20.4 gives visual hints as to the sound lurking beneath the bonnet. Flavored by four transformers, that sound is decidedly vintage British, although Heritage has taken pains to improve crosstalk and self-noise specs from those of the vintage designs. The smart-summing topology employed in the company's MCM series mixers delivers impressive headroom and low noise for a 20 channel, vintage-topology mixer. Sweetwater's advice: If you want to smoothly integrate analog gear — and robust, colorful sonics — into your DAW-based workflow, the Heritage Audio MCM-20.4 is a great-sounding, elegant solution.
Heritage Audio MCM-20.4 20-channel, Vintage-topology Rackmount Mixer Features:
- 16 input channels arranged into 2 subgroups of 8
- Each channel features concentric pan and level controls plus a balanced insert and a mute switch
- 2 stereo subgroups are passively summed into the master bus
- Master bus has its own balanced insert point and VU meters
- 4 channels of pre/post-fader aux sends
- Rear-panel connections are made via DB-25 connectors
- Master bus connections via dedicated XLRs
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