| Content | Brand New, in sealed original box, never used, in perfect condition!
Tascam product info:
Built-in DSP 4 line outputs Dante converter to respond to various needs of contractor market and professional audio scene.
The ML-4D/OUT-E is a compact converter that converts Dante input signals into 4-channel line output signals. With half the size of a standard 1U rack, the ML-4D/OUT-E is suitable for different Dante systems as an exquisite analog output unit. The built-in DSP mixer enables small scale systems to fully perform with a variety of input/output models the TASCAM Dante Compact Processor Series offers. ML-4D/OUT-E supports up to 96kHz/24bit and uses Euroblock connectors for analog line output.
4 line output
4 Dante input/output
Supports PoE (Power over Ethernet)
Up to 24bit/96kHz
Includes a variety of DSP functions for optimal use in different scenes/environments (Output effects, 4 in/4 out matrix mixer)
Supports Dante daisy chain; this allows two Dante Compact Processor models to be connected without a network switch
Compatible with Dante Domain Manager and Dante AES67 Mode
Flexible scene preset function allows to work in different area situations (Up to 50 presets)
Timer event function allows to automatically switch scenes at a specified time (planned to be compatible on a future version update)
2 types of user control software available for Windows/Mac/iOS/Android devices:
For integrators: input/output routing selection, DSP/design/scene settings of the complete system, etc.
For end-users: simple app design for only the necessary functions such as area volume settings, etc.
Remote control via GPI and Dante
Half-rack mountable size
Equipped with indicators that show LAN/Dante connection status and sample rate
Equipped with signal indicators that monitor line output signals
Configurable reference level (via remote control only) | Avid S1 eight-fader EUCON control surface
The Avid S1 is an eight-fader EUCON control surface with unparalleled speed, rich visual feedback, and software integration of Avid's high-end consoles in a slimline surface that's an easy fit for any space or budget. Avid S1 gives you deep hands-on control of your favorite audio and video software and, together with the free Pro Tools | Control app for iPad (iPad not included), provides great ergonomic efficiency, easy touch workflows, and S6-style metering and processing views, so you can navigate large sessions quickly, mix more intuitively, and turn around better sounding mixes fast.
Mix big on a smaller scale
While Avid S1 fits easily between your display and keyboard, it packs a lot of mixing power into its small surface. From motorized faders and knobs that respond to your touch, to fast-access touchscreen workflows and Soft Keys that enable you to perform complex tasks with a single press, S1 provides the speed and versatility to accelerate any music, audio post, or video project.
Get unmatched software integration
S1 is powered by EUCON, Avid’s high-speed Ethernet control protocol that delivers deep hardware/software integration, giving you full touch and tactile access to a host of Avid and third-party software functions and controls. You can even switch between multiple applications—and workstations—at the touch of a button, providing the most fluid editing and mixing experience.
Specifications:
- Faders: Eight motorized, touch-sensitive, 100 mm long-throw faders
- Knobs: Eight push-top, touch-sensitive rotary encoders
- Additional controls: Assorted hardware buttons/keys for various functions and mode selections, including Mute, Solo, Record-enable, Bank, Nudge, and more
- Software interface: Supports the free Pro Tools | Control app running on iPad (iPad not included), providing touchscreen control, project navigation, macro triggers, and more
- Displays: Eight high-resolution OLED displays, plus multiple status LEDs and multicolor track buttons; channel metering, monitoring, processing, track status, automation modes, and other views provided by Pro Tools | Control on iPad
- Height (front, rear): 1.2 inches, 3.8 inches (29 mm, 97 mm)
- Width: 12.3 inches (312 mm)
- Depth: 14.9 inches (377 mm)
| The Dangerous Music Liaison puts the fun back into trying out creative combinations of gear. The Liaison also lets your setup remain absolutely flexible — just what you need if you want to survive in a market that often demands recording, mixing, and mastering services from a single studio. The Liaison's claim to fame is that it combines your favorite pieces of music gear together in various configurations, allowing you to try out new gear combinations and recall them later. But there's a lot more to the Dangerous Music Liaison than mere signal routing.
Mix, match, store, and recall all your favorite gear combinations
Dangerous Music has always been dedicated to providing serious engineers with the most useful gear possible. They've upped the ante again, with the Liaison. The Liaison lets you experiment with different combinations of gear, giving you a total of six discrete 2-channel inputs and two 2-channel buses. Want to hear how that compressor sounds pre- and post-EQ? With a Liaison, you can audition various hardware combinations as easily as swapping around plug-ins in a DAW. What's more, you can store and recall your favorite setups, so you can keep that killer vocal compression chain or that thumping kick drum processing path close at hand.
Flexible stereo buses give you advanced configuration options
When we ran the Dangerous Music Liaison through its paces here at Sweetwater, we found that its stereo buses do more than just compare two discrete signal paths. Depending on how you configure them, these stereo buses can provide you with two completely independent, flexible signal chains, each serving as its own small routing matrix. You can also combine both buses to create a long and flexible continuous signal-processing chain, in which you can reorder entire sections of your gear setup. Even cooler, you can use the Liaison's buses to establish complex parallel signal processing — opening up limitless sonic possibilities.
Mastering-grade components for unrivaled sound quality
As is the case with all Dangerous Music products, the Liaison is made entirely from mastering-grade components, so you never have to worry about audio coloration or latency. In fact, when set to simply pass audio, professional grade testers used to measure the Liaison read as though they were plugged into themselves. Talk about quality control! Here are some of the other specifics. Both the inserts and the buses feature straight-wire, unamplified, balanced signal paths. All audio is relay-switched via top-quality, gas-filled, bifurcated contact relays — ensuring that all switching is absolutely noiseless. The rest of the Liaison's signal paths feature mastering-grade components made by THAT Corp. and Burr-Brown.
What the pros are saying about the LIAISON:
- "The Dangerous LIAISON feels like engaging light-speed for my workflow...and make no mistake: workflow IS sound. The sheer speed at which you can do critical comparisons of entire signal chains does have a direct and positive impact how your music will sound." — Alberto Rizzo Schettino (Engineer)
- "One of the best features of the LIAISON is the monitor outs...you can monitor the signal at four points in the chain: before and after Bus A and B. The usefulness of this feature is huge, and Dangerous deserves major props for including it! The switching of inserts is managed by beefy relays that are as transparent as any I've ever heard." — Adam Gonsalves (Mastering Engineer)
- "LIAISON gives you the impetus to rethink how you record, mix, and master your music...[and] using the LIAISON is dead simple. I think of LIAISON not as an insert switcher, but as a creativity enabler." — Andy Hong (Writer/Reviewer)
- "The Dangerous LIAISON is incredibly exciting. To have a device that lets you so easily switch between processors, swap the order of processors, do quick A-B comparisons of signal chains. It makes my work better!" — Jonathan Wyner (Mastering Engineer)
- "Being able to switch devices from one bus to the other is extremely useful. The fast switching is amazing!" — Jeff Lipton (Mastering Engineer)
- "The LIAISON is really important — I can do a lot of combinations of chaining gear and I am able to work a lot faster. Before the LIAISON [I had to] switch the patchbay and compare the sounds. Now I am 20-times faster than before, I like the way the LIAISON allows me to still be in the energy of the music. — Antoine "Chab" Chabert (Mastering Engineer)
- "So happy with the LIAISON. Being able to switch gear in and out from the listening position without leaning over a patch bay is fantastic. After sitting in this chair for so many years, it actually improves my mixing ergonomics considerably." — Bob Power (Mastering Engineer)
Dangerous Music Liaison Features:
- Flexible signal routing matrix that allows you to combine the gear in your studio in fun, exciting, and creative ways
- Leverage all your gear, all the time
- Improve your tracks, mixes, and masters by auditioning and marrying the perfect ensemble of equipment
- 2 independent stereo buses mean you can set up 1 as a tracking path and the other as a mix path, without repatching, or chain them together
- Separate parallel processing loop to let drums breathe and crush simultaneously
- Create complex combinations of gear and A/B instantly
- Store your favorite settings to recall any tracking, mixing, or mastering configuration
- 6 stereo insert loops, assignable to 2 stereo buses
- Mastering-grade components ensure silent, relay-based switching and color-free audio
| BEHRINGER X32 RACK " Rack Mixer
- 32 Channels
- 16 XLR Mic/Line inputs
- 8 Stereo FX returns
- 25 Buses
- 6 Matrix buses with insert
- 6 Mute groups
- 8 DCA groups
- 8 XLR outputs
- 6 AUX inputs via 6.3 mm jack (optional: 2 via RCA)
- 6 AUX outputs via 6.3 mm jack (optional: 2 via RCA)
- Adjustable headphone jack
- 32 x 32 USB audio interface
- Talkback microphone input (XLR)
- 4-Band fully parametric EQ on each channel
- Adjustable delays on all channels
- Virtual effects rack with 8 FX slots
- Built-in stereo USB recorder
- Remote control via Ethernet
- 5" TFT display
- Compatible with the Behringer P-16 personal monitoring system
- Format: 19" / 3U
- Dimensions: 132 x 483 x 287 mm
- Weight: 6.5 kg
| Brand New Midas ProX with Neutron.
In person demos are available. Shipping cost is the buyers responsibility and will be determined by buyers location. Please message to discuss shipping. If purchased without a shipping agreement in place, the buyer will be responsible for local pickup.
The Midas PRO Series family moves up a gear with the PRO X control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the PRO X sets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all PRO Series consoles, the PRO X features managed latency and 40 bit floating point processing precision.
HyperMAC and AES50 audio networking technologies allow the PRO X to dynamically assign up to 288 inputs and 294 outputs at 96 kHz sampling rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO X equally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals. | KORG MW 2408 MIXER MIXER |
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