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The Node Cellular 4G LTE USB Modem from Teradek enables you to broadcast over 3G, 4G, and 4G LTE network interfaces. A rugged, weather-resistant aluminum chassis and a 4-pin LEMO-type connector provide reliable operation, even under challenging conditions. The Node 3G/4G/LTE offers universal SIM compatibility and uses high-gain external antennas to obtain outstanding cellular connectivity in almost any location. The 4-pin LEMO-type output can be adapted to USB, using the included 13" cable.
Node allows you to go live from almost location, even those with the poor cellular connectivity
Node can operate on every 3G/4G/LTE data band in the region
4-pin connector with a USB adapter provide a secure connection to your Teradek device
Node features a rugged aluminum chassis and both 1/4"-20 and 4-40 mounting options
- VidiU Go/VidiU Pro
- Cube series
- Link/Link Pro wireless access point
- Bond II/Pro/Expansion Module
| The Matrox® Maevex 6020 Remote Recorder appliance is a Panopto-certified live streaming multi-recorder specifically designed (for and fully integrated with) Panopto™ industry-leading video management system (VMS). Everything you love about the Panopto cloud or on-premises management of recording, streaming, scheduling, and everything else is available for the Maevex 6020 on the Panopto VMS platform making it simple and easy for administrator and in-room/class operator alike. Leveraging the award-winning Maevex 6100 Series multi-recording and streaming technology, the Maevex 6020 Remote Recorder enhances the Panopto VMS solution by providing best-of-breed live streaming and recording functionality for businesses and universities.
The Maevex 6020 Remote Recorder provides unique features to the Panopto VMS. Key feature set includes two 1080p inputs with multiple on-device quality recordings per input and two channels of 1080p live streaming while recording. Unique to the Maevex 6020 are the multiple recordings of different qualities recorded simultaneously to the devices solid-state memory and uploading while the session is in progress. These on-device multiple recording qualities can later be used to address the best-possible quality match for any viewing device. The recordings are encoded and ready for use as is without any quality loss or time loss (no transcoding, decoding, or re-encoding required). This workflow enables the video on demand from the event to be made available to viewers much faster, at the best quality possible.
When there are no active streams being broadcast, the two sets of recorded streams are delivered to the Panopto VMS simultaneously during the live event with only the slightest of lag from the start of the event as cloud transcoding is eliminated. If there are live streams being broadcast, the recorded streams are delivered immediately after the live streaming event ends, again with no cloud transcoding required. Additionally, in a single session, up to four sets of recordings (each set with multiple quality levels) and two Full HD streams can be enabled by combining two Maevex 6020 devices.
Implementation and operation of the Maevex 6020 Remote Recorder is simple as 1-2-3. Its superior hardware recording and streaming technology is completely integrated into the Panopto cloud video platform. Simply connect power, network, and video; power up; log in to the Panopto cloud account and its done. From there, the all-in-one Panopto VMS platform provides complete control and makes video management, recording, live streaming, inside-video searching, quizzing, analytics, mobile, and other features readily accessible. The front of the appliance also includes one-touch, easy-access button controls to record, pause, resume, and stop. For Panopto first-time users and seasoned professionals alike, the Maevex 6020 Remote Recorder delivers a simple, best-in-class video capture and streaming experience for any academic or enterprise environment. | Blackmagic Design’s Ultimatte 12 goes beyond the power of even the most advanced keyers, also functioning as a high power real time compositing processor. Enjoy superb edge handling, color separation, color fidelity, spill suppression, and more. 12G-SDI technology supports work in HD and Ultra HD for real-time compositing of weather, sports, news, and entertainment in studio environments.
Incredibly life-like composites place your talent into any scene. Computer generated augmented reality objects provide realistic transparency and depth talent can walk behind, even with glass-style objects. The Ultimatte 12 works with fixed cameras and static backgrounds, or automated virtual set systems. On set previsualization is another plus, since actors and directors can see the virtual sets while shooting against a green screen.
Remove the background without affecting foreground colors. Advanced flare, edge and transition processing isolates and treats image sections differently while keeping color transitions smooth. High-level compositing keeps the final product photorealistic.
Green tinting and spill are no longer problematic thanks to the adjustments made to flare algorithms in the Ultimatte 12. Flare automatically samples colors to create seamless mattes for walls, floors, or other parts of your image. Shadows get mapped and composited onto the new background for a realistically three-dimensional view, spill is removed, and transparent objects are cleaned.
Advanced algorithms and large internal color space make it feel like you’re using several Ultimatte keyers on one image. For example, fine edge detail is a great feature for visuals of hair but is not something you would want applied to an entire image. Images are automatically processed based on the colors in each area, so fine edge detail is applied to just the hair portion.
Cameras at different angles see the same green screen slightly differently, which keyers in live production switchers aren’t designed to correct. Ultimatte 12 makes it possible to add keyers to every camera in a shot for the best possible key.
The Ultimatte 12 includes 7 input connections dedicated to compositing different elements together. 12G-SDI connections offer high frame rate Ultra HD from one BNC connection that can plug into your regular HD equipment. Connections let you work with SD, HD, 3G, 6G and 12G-SDI equipment, and in HD or Ultra HD formats up to 2160p60.
Blackmagic Design Ultimatte 12 Features
- Connect to SDI equipment in HD and Ultra HD
- Add augmented reality and virtual elements
- One touch keying
- Advanced image processing
- Expanded internal color space
- New math and sub pixel processing designed for high quality and clarity in HD and Ultra HD
- Incredible color fidelity
- Flare removes green tinting, spill, shadows, and reflections
- Ideal for broadcast news, sports, and traditional TV and film production
- 12 Month Limited Manufacturer's Warranty
| Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM advanced panel is added to an ATEM switcher as a control panel.
Although each switcher includes ATEM software control panel for Mac or Windows, an ATEM Advanced Panel is faster to use, making it ideal for demanding live production environments. Setup more complex effects with the enormous amount of control you’ll have in the ATEM 2 M/E. The ATEM 2 M/E Advanced Panel features broadcast buttons, knobs, and a t-bar fader.
The ATEM 2 M/E has two M/E rows with 20 input buttons and two independent system control LCDs for reach row. Each row has an independent select bus, and can control up to four M/Es in larger switchers. Input buttons have customizable colors and button label LCDs.
Modern design with the latest broadcast technology combine to enable faster workflows. Built in LCD control screen identifies work processes. Buttons are curved and have color backlighting to reduce incorrect key presses and quickly identify the keys you need. Professional joystick controls DVE and camera adjustments, smooth weighted t-bar fader, and more.
Durable and compact, the ATEM 2 M/E fits in a standard equipment rack. It can be used seamlessly for shelf mounting in broadcast trucks, mobile racks, and fly away kits.
Blackmagic Design ATEM 2 M/E Features
- Add to an ATEM switcher for accessible control panel functions
- Faster workflow
- Two independent rows of control, each with 20 input buttons
- Backlit buttons make identification easy and lower incorrect key presses
- Joystick for DVE and camera adjustments
- Smooth weighted t-bar fader
| The VR-4HD is a complete HD studio in a compact and portable package that replaces several different pieces of complex A/V equipment. Designed with individual operation in mind, the VR-4HD allows for easy video switching and mixing of audio and video using advanced Digital Signal Processing (DSP).
Along with dedicated hardware controls faders, buttons, and touch screen interface. It beautifully integrates a digital audio mixer, video switcher, multi-viewer touch screen, and USB video/audio streaming interface into a stand-alone device. This portable live HD production solution is ideal for schools, churches, council meetings, corporate events, sports, training sessions, or any other live event.
The VR-4HD features professional quality broadcast controls and switches ensuring more accurate and faster operation than interfaces based on a computer style mouse and keyboard. The ability to simultaneously switch video with the push of a button and adjust audio with the push of a fader is invaluable and puts all essential features at the operator's fingertips. The inherent multi-see screen is likewise a touch screen interface for getting to set-up boundaries, making it incredibly simple to alter various picture settings progressively by hauling the inset window onto the screen.
Roland VR-4HD Features
- All-in-one portable production solution
- Easy to use with dedicated hardware controls and audio faders and integrated touch screen preview monitor
- 6 input, 4-Channel Video Switcher
- Supports HDMI*1, RGB/Component, and Composite Video Inputs Up to 1080p
- Input 4's scaler now supports a wider range of video and VESA resolutions.*1 *2
- Built-in Scaler via CH4
- 18-Channel Digital Audio Mixer with XLR, TRS, and RCA jacks along with audio from HDMI inputs
- Embedding and de-embedding of audio with delay settings
- Auto mixing and Echo Canceling function
- Composition effects including DSK (Downstream Keyer), picture-in-picture etc.
- Capturing a still Image from Input Video on channel 4*3 [Ver.1.5]
- Built-in touch quad-input multi-viewer with audio metering
- External Multi-View Output through HDMI
- HDCP Support
- USB3.0 Video/Audio Output up to 1080/30p (uncompressed) and Audio Loopback Feature
- Software control using VR-4HD RCS application for Mac and PC and remote control via USB connection
- Sending a still image to the VR-4HD by VR-4HD RCS*3 [Ver.1.5]
- Tally, GPIO connections
| Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM Camera Control panel can be added to any ATEM switcher model and is connected via Ethernet.
The ATEM Camera Control panel uses traditional broadcast style controls and adjustments in a compact design so one person can monitor and adjust technical parameters such as black levels, gain, color balance, shutter speed, and more. With this control panel, there are four separate LCD displays and control sections for control of up to four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. Control layout is familiar and logical for fast and easy operation by operators of all levels. This control panel is meant to be portable, so does not need to be bolted down.
Quickly adapt to changes in the scene with the top section of controls. Top section controls include white balance, master gain, bars, and shutter speed. You can save and recall presets with the load scenes function. RGB controls in the center section allow you to adjust the individual red, green and blue levels in blacks and whites when you need to compensate for unwanted color. The bottom section is dedicated to lens and iris controls, a joystick to adjust iris and master black. There are buttons for talkback with the operator, panel lock, and a number indicator for preview and on air status.
Blackmagic Design ATEM Camera Control Panel Features
- Traditional broadcast style controls and adjustments
- Portable control panel
- Iris control
- Shutter speed
- White balance
- Master gain
- Pedestal
- RGB controls for white and black
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