| Content | Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM advanced panel is added to an ATEM switcher as a control panel.
Although each switcher includes ATEM software control panel for Mac or Windows, an ATEM Advanced Panel is faster to use, making it ideal for demanding live production environments. Setup more complex effects with the enormous amount of control you’ll have in the ATEM 2 M/E. The ATEM 2 M/E Advanced Panel features broadcast buttons, knobs, and a t-bar fader.
The ATEM 2 M/E has two M/E rows with 20 input buttons and two independent system control LCDs for reach row. Each row has an independent select bus, and can control up to four M/Es in larger switchers. Input buttons have customizable colors and button label LCDs.
Modern design with the latest broadcast technology combine to enable faster workflows. Built in LCD control screen identifies work processes. Buttons are curved and have color backlighting to reduce incorrect key presses and quickly identify the keys you need. Professional joystick controls DVE and camera adjustments, smooth weighted t-bar fader, and more.
Durable and compact, the ATEM 2 M/E fits in a standard equipment rack. It can be used seamlessly for shelf mounting in broadcast trucks, mobile racks, and fly away kits.
Blackmagic Design ATEM 2 M/E Features
- Add to an ATEM switcher for accessible control panel functions
- Faster workflow
- Two independent rows of control, each with 20 input buttons
- Backlit buttons make identification easy and lower incorrect key presses
- Joystick for DVE and camera adjustments
- Smooth weighted t-bar fader
| The most complete production system available today, TriCaster TC1 represents the continued innovation of the iconic product that defined an industry. Designed with the way you work in mind and equipped with hundreds of advanced production capabilities, it has everything you need to do video your way today—and tomorrow.
Product Highlights
- Switching, streaming, recording in HD, 3G, and 4K UHD 60p
- Native software driven processing for maximum production power and flexibility
- Comprehensive camera coverage and compelling multi-source video mixing, including 16 external inputs and 4 M/Es
- Studio-grade Skype® video calling with multi-channel Skype TX software integration
- Integrated video servers allowing playback, replay, and live editing without any additional hardware
- Multi-channel ISO recording to full-resolution QuickTime® and H.264 files for VOD, post-production, and archive
- Dual-channel live streaming to Facebook Live, Microsoft® Azure®, Periscope, Twitch, YouTube™ Live, and more
- Real-time social media sharing to Facebook, Imgur, LinkedIn, Twitter, Vimeo, YouTube, and more
- Powerful production automation with custom macro commands, sophisticated full-motion compositing, and flexible control options
- Advanced audio mixing with multi-source configuration and control, professional DSPs, and 4 x 4 x 4 channel routing
- Premier creative capabilities, including multi-bus mix effects, animated titles and transitions, advanced chromakeying, spectacular live virtual sets, and more
Video Input
16 x simultaneous external video inputs, supporting any combination of compatible sources in resolutions up to 4K UHD at frame rates up to 60fps (2160p 59.94)
Network Video Input
16 x IP video inputs via NDI™, resolution-independent, with support for key and fill
SDI Video Input
4 x 3G/HD/SD-SDI connections supporting video input in any combination of standard formats, resolutions, and frame rates
- 1080p: 59.94, 50, 29.97, 25, 24, 23.976
- 1080i: 59.94, 50
- 720p: 59.94, 50, 29.97, 25, 24, 23.976
- 576i 50
- 480i 59.94
PTZ
Support for up to 8 simultaneous Pan-Tilt-Zoom (PTZ) robotic cameras via serial and network protocols, including RS232, RS422 and IP, with integrated controls and preset system
Skype TX
Native support for up to 2 simultaneous Skype® video call inputs via Skype TX software integration
Apple® AirPlay®
Native support for input of compatible iOS mobile devices via Apple AirPlay
Video Output
Configurable for up to 4 independent video mix outputs, with simultaneous delivery via IP and SDI
Network Video Output
- IP video output via NDI, optionally configurable for:
- 4 x independent video mix outputs
- 1 x 4K UHD video mix output
SDI Video Output
- 4 x 3G/HD/SD-SDI connections, optionally configurable for:
- 4 x independent 3G/HD/SD video mix outputs
- 1 x 4K UHD video mix output via 3G-SDI quad-link grouping
Stream Output
2 x resolution-independent streaming video outputs, independently configurable, with simultaneous stream archive
Multiviewer Output
- 3 x multiviewer outputs supporting standard display resolutions
- 1 x DVI user interface with multiviewer
- 1 x HDMI multiviewer
- 1 x DisplayPort multiviewer
Mix/Effect Buses (M/E)
- 4 x M/E buses supporting video re-entry
- 1 x Mix/Effect channel per bus with support for up to 4 sources
- 4 x KEY layers per bus
- 9 x memory slots per bus
- 1 x PREVIZ configuration and preview bus
DSK Channels
4 x DSK channels
Media
- 5 x media players
- 2 x DDR
- 2 x GFX
- 1 x Sound
- 15 x media buffers
- 10 x animation buffers
- 5 x graphic buffers
- 30 x clip players (available for use as transitions or media depending on function)
Keyers
- Integrated LiveMatte™ chroma and luma keying technology on all source channels and M/E buses
- 16 x input keyers
- 4 x media player keyers
- 4 x M/E keyers
- 1 x PREVIZ keyer
- 15 x buffer keyers
COMPs
Integrated video composition engine on the switcher and each M/E bus to create, store, and apply layer configurations and DVE-style motion sequences
16 x configurable COMP presets per bus
Virtual Sets
Integrated LiveSet™ technology with 30+ live virtual sets and box effects included
DataLink
Integrated DataLink™ technology enabling real-time, automated data input from internal and external sources, including webpages, spreadsheets, scoreboards, databases, RSS feeds, watch files, XML, CSV, ASCII and more
Macros
- Record, store, edit and automate commands and user-configured operation sequences
- Attach to control panel buttons, keyboard shortcuts, hotspots, MIDI and X-keys® buttons or GPI triggers
- Attach to internal events and state changes, including audio, media playback, tally and specific switcher actions
- Supports control via web-based interface
Recording
- 6 x configurable video recording channels via IsoCorder™ technology
- 4 x QuickTime® archival video recorders (XDCAM HD compatible, 4:2:2 encoding, 24-bit audio, with timecode)3
- 2 x H.264 distribution video recorders (multiple profiles)
- 1 x MP3 audio recorder
- 3 QuickTime Player not required for playback in common NLE applications
Storage
- 2 x 3TB internal drive
- Capacity varies by format, resolution and file specification
- Supports recording to external storage via USB 3.0 and eSATA
- Supports shared storage integration and third-party partner solutions
Grab
Grab full-resolution, deinterlaced still images from external video sources and outputs
Export
Export video and image files to social media, FTP, local or external volumes, and network servers, with optional transcoding
Audio Mixer
Integrated multi-channel audio mixer with support for quad-channel audio, DSPs and 4x4x4 audio input routing
Local Audio Input
- 4 x SDI embedded
- 1 x Balanced XLR stereo pair (Line)
- 3 x Balanced 1/4” stereo pairs (Line)
Local Audio Output
- 4 x SDI embedded
- 1 x Balanced XLR stereo pair
- 1 x Balanced 1/4” stereo pair
- 1 x Stereo 1/4" (phones)
Network Audio
- Native support for network audio input and output via NDI
- Embedded audio supported for all NDI input and output video signals
- Integrated support4 for Dante™ networking protocol from Audinate®
- Support for AES67 protocol via compatible WDM audio drivers5
- 4Requires Dante Virtual Soundcard license from Audinate (sold separately)
- 5Requires third-party virtual sound card license (sold separately)
Supported Media File Formats
Import, store, and play back multimedia files, with optional transcoding, including:
- Video: AVI, DV, DVCPro, DVCProHD, FLV, F4V, H.263, H.264, MOV, MKV, MJPEG, MPEG, MP4, WMV, WebM, and more
- Image: PSD, PNG, TGA, BMP, JPEG, JPEG-XR, JPEG2000, EXR, RAW, TIF, WebP, and more
- Audio: AIFF, MP3, WAV, and more
Monitoring
Support for up to 3 multiviewer displays with configurable workspaces and viewports
Signal Monitoring
Integrated waveform and vectorscope, full field rate with digital calibration, color preview and support for ITU-R Rec. 709
Processing
- Video: Floating Point YCbCr +A 4:4:4:4
- Audio: Floating Point, 96 kHz
Throughput Latency
~1.0-1.5 frames
A/V Standards
- 4K UHD video conforms to SMPTE 2036 (UHDTV1 using Square Division Quad Split)
- 3G-SDI video conforms to SMPTE 424M (Level A)
- HD-SDI video conforms to SMPTE 292M
- SD video conforms to SMPTE 259M and ITU-R BT.656
- Analog audio levels conform to SMPTE RP-155
Tally
Support for hardware tally via HD15 GPI connector, network tally via NDI, and Blackmagic Design® SDI tally standard
Genlock
Genlock input supporting SD (Bi-level) or HD (Tri-level) reference signals
GPI
Supports GPI signals via JLCooper Electronics eBox GPI interface
MIDI
Support for standard MIDI protocol enabling third-party device control
System Drive
120GB SSD
NIC
2 x 1 Gigabit NIC
System Physical
TriCaster TC1
2RU chassis with 400W PSU and multi-tiered hardware and software fail-safe
- 19.0 x 3.5 x 19.57 in (48.3 x 8.9 x 49.7 cm) with rack ears attached
| Power supply not included - requires IEC cable.
The UltraStudio 4K Extreme 3 lets you connect Thunderbolt 3 computers to any video equipment. Connect to the Thunderbolt 3 port for video and audio connections compatible with SD, HD, Ultra HD, and 4K DCI formats up to 60 frames per second. Use the UltraStudio 4K Extreme 3 to build high performance edit workstations, archive from old broadcast decks, output broadcast graphics, and live stream.
Connect and work with the equipment of your choice. SDI in and out, HDMI out, and balanced analog input provide high quality connections to just about any equipment you could want to work with. An extra HDMI input and balanced analog audio out connect for in-studio audio monitoring use. Larger design than the Mini UltraStudios lets the UltraStudio 4 Extreme fit 4 channel analog audio via XLR connections, 2 channels of AES/EBU digital audio, and dedicated timecode connections. Video reference for sync playback to broadcast systems and RS-422 remote are included. The UltraStudio 4K Extreme 3 can feed SDI fill and key from RGB graphics from your computer to a live production switcher for high quality live broadcast graphics keying.
12G-SDI technology brings the most powerful video capture and playback solution at high speeds. Speed supports work of Ultra HD and 4K 60p over one BNC cable. Multi rate 12G-SDI connections provide greater compatibility, working with existing SD and HD equipment and newer Ultra HD formats up to 2160p60.
With the UltraStudio 4K Extreme 3, you’re not locked into a single format. Popular compressed video formats and 10-bit uncompressed video are both supported. Images in uncompressed video are a perfect pixel-for-pixel clone of the source without any loss of quality.
Thunderbolt 3™ technology ensures the UltraStudio 4K Extreme 3 is a power-driven solution. Low latency and highly accurate time synchronization provide the highest possible quality capture and playback. UltraStudio 4K Extreme 3 uses a fast one cable connection to a computer with the bandwidth to easily handle high resolution video formats. Powered by the Thunderbolt connection, the UltraStudio 4K Extreme 3 can run from a laptop battery without needing a power connection. An AC power connection is also included.
Front panel has fast control buttons and integrated color LCD. Back panel uses industry standard BNC and HDMI connectors. Enjoy broadcast and digital cinema quality capture and playback in any workflow.
Blackmagic Design UltraStudio 4K Extreme 3 Features
- Connect Thunderbolt 3 computers to video equipment
- Compatible with SD, HD, Ultra HD, and 4K DCI formats up to 60 frames per second
- Designed to work with popular video editing software on Mac, Windows, and Linux systems
- Video reference for sync playback to broadcast systems
- RS-422 remote
- Support for compressed and uncompressed formats
- Low latency and accurate time synchronization in Thunderbolt 3 technology
- Easily portable
- Stand alone on desktop or rack mount
- Broadcast and digital cinema quality capture and playback
| Power supply not included - requires IEC cable.
Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM advanced panel is added to an ATEM switcher as a control panel.
Although each switcher includes ATEM software control panel for Mac or Windows, an ATEM Advanced Panel is faster to use, making it ideal for demanding live production environments. Setup more complex effects with the enormous amount of control you’ll have in the ATEM 1 M/E. The ATEM 1 M/E Advanced Panel features broadcast buttons, knobs, and a t-bar fader.
The ATEM 1 M/E has one row with 10 input buttons, and one system control LCD screen. Input buttons have customizable colors and button label LCDs. Use the shift buttons to double the number of inputs for control of up to 20 inputs. DVE and t-bar fader can be controlled with a joystick. Even though it’s a 1 M/E panel, you can control all M/Es in larger switchers.
Modern design with the latest broadcast technology combine to enable faster workflows. Built in LCD control screen identifies work processes. Buttons are curved and have color backlighting to reduce incorrect key presses and quickly identify the keys you need. Professional joystick controls DVE and camera adjustments, smooth weighted t-bar fader, and more.
Durable and compact, the ATEM 1 M/E fits in a standard equipment rack. It can be used seamlessly for shelf mounting in broadcast trucks, mobile racks, and fly away kits.
Blackmagic Design ATEM 1 M/E Features
- Add to an ATEM switcher for accessible control panel functions
- Faster workflow
- Backlit buttons make identification easy and lower incorrect key presses
- Control up to 20 inputs
- Joystick for DVE and camera adjustments
- Smooth weighted t-bar fader
- Fits in a standard equipment rack
| HyperDeck Extreme 8K HDR has the reliable features of HyperDeck, with new features of space-saving H.265 files, optional internal cache, 3D LUTs, native 8K and HDR support. Ability to record native 8K in H.265 storage reduces storage costs and image quality stays amazing. Large touch screen ensures you can see your recording and easily control all deck settings. HyperDeck Extreme 8K HDR is an excellent solution for broadcast, live production, and digital signage.
Great for live production as a master recorder, clip player and for recording ISO cameras. Analog inputs allow recording from old video tapes, so legacy programming is compatible with the latest streaming services and can be edited. 10G Ethernet makes digital signage easy with fast media uploads, and a simple remote control protocol. Use as a field recorder with HDMI, SDI and analog inputs with built in scopes and 3D LUTs.
AC and DC power connections help make sure you can use the HyperDeck Extreme 8K HDR in studio or on location. Record to commonly available flash memory cards with dual CFast media support.
The HyperDeck Extreme 8K HDR includes two media slots, Quad 12G-SDI for 8K, analog connections for archiving, USB-C external disk recording, front panel speaker and headphone jack. Install a PCIe flash disk as a record cache to eliminate dropped frames when your media becomes full or is too slow. Record and playback in full resolution 8K is possible with the included Quad Link 12G-SDI. SDI connections are multi-rate, so you can use with other 8K products, or switch to SD, HD or Ultra HD.
Touch LCD screen provides incredible control with dedicated buttons for play, stop, record, a timeline for scrolling through recordings, image swipe to jog, and more. Heads up display on the LCD shows timecode, video standard, media status, and audio meters. Enable scopes, load and save 3D LUTs, and remote control the HyperDeck from the touch screen.
Full internal waveform monitoring ensures compliance with broadcast standards. RGB and YUV parade displays are ideal for color correction and checking for illegal levels. Histogram shows distribution of white to black detail, and highlights or shadows clipping.
Blackmagic Design HyperDeck Extreme 8K Features
- Power supply not included - requires IEC cable
- Modern design with traditional controls
- Rack mountable
- Live production, digital signage and archive
- Dual CFast media for nonstop recording
- Record direct to external USB-C media disks
- Compatible with controllers, switchers, converters, and more
- Advanced HDR support and bright wide gamut LCD
- Built in scopes ensure compliance with broadcast standards
- Professional audio with multi channel SDI and analog audio
- Localized for 11 common languages
| Use the Blackmagic Design ATEM production switcher series to create stunning multi camera live production. ATEM switches between SD, HD, or Ultra HD video standards so your live production can use cameras, disk records, slide shows from computers, and more video sources. Features include chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view, and more. ATEM live production switchers support live production needs at live concerts, sporting events, theater productions, conferences, and more. The ATEM advanced panel is added to an ATEM switcher as a control panel.
Although each switcher includes ATEM software control panel for Mac or Windows, an ATEM Advanced Panel is faster to use, making it ideal for demanding live production environments. Setup more complex effects with the enormous amount of control you’ll have in the ATEM 4 M/E. The ATEM 4 M/E Advanced Panel features broadcast buttons, knobs, and a t-bar fader.
The ATEM 4 M/E has four M/E rows with 40 input buttons and four independent system control LCDs for reach row. All input buttons have customizable colors and button label LCDs.
Modern design with the latest broadcast technology combine to enable faster workflows. Built in LCD control screen identifies work processes. Buttons are curved and have color backlighting to reduce incorrect key presses and quickly identify the keys you need. Professional joystick controls DVE and camera adjustments, smooth weighted t-bar fader, and more.
Durable and compact, the ATEM 4 M/E fits in a standard equipment rack. It can be used seamlessly for shelf mounting in broadcast trucks, mobile racks, and fly away kits.
Blackmagic Design ATEM 4 M/E Features
- Add to an ATEM switcher for accessible control panel functions
- Faster workflow
- Four independent rows of control, each with 40 input buttons
- Backlit buttons make identification easy and lower incorrect key presses
- Joystick for DVE and camera adjustments
- Smooth weighted t-bar fader
|
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