Dangerous Music MASTER Mastering Transfer Console

$3,534.29

GTIN: 628586496903 SKU: 628586496903 Category: Tags: , ,

Description

Dangerous Music’s MASTER brings the amazing analog sound and functionality of previous Dangerous boxes to the mastering world with a truly unique approach that will give your projects an edge over your competitors. Three insert points are front-panel switchable for integrating external analog processing and there’s something special lurking behind the S&M Width knob. With the S&M button depressed, MASTER engages a “Sum or Minus” mode that controls the stereo spread and much more. Every mastering engineer that incorporates outboard gear into their rig needs a MASTER!

Powerful processing at your fingertips

There’s truly nothing quite like MASTER. The S&M functionality adds a remarkable element to your mastering arsenal. Imagine being able to modify the frequency content of the program material residing in the left/right aspects of the stereo field without changing the spectrum of the center material. With MASTER, you can. Hit the S&M button, activate insert #2 with a stereo EQ connected, and you can work wonders with the sound. Say the vocals (panned center) sound fine in the mix, but you’d like to brighten the guitars and cymbals a bit (which reside in the left and right panning positions). S&M removes the center material temporarily so you can process the extreme left and right signals without coloring the center material. The S&M Width knob can also modify the width of the overall stereo field. The engineers here at Sweetwater love the flexibility of the MASTER!

A plethora of useful controls

From left to right, you’ve got L/R Level controls, three buttons that trigger the insertion of outboard gear in the signal path, a button that individually selects which inputs are being processed, a button that triggers Stereo or Middle Sides mode on insert 2, and a button that selects whether the Monitor Output jacks have the Input or Output signal sent to the monitor section. Next up is the Input Monitor Offset. This is very handy to match the input and output levels to listen to the effect of processing without the level difference clouding one’s judgment. The engineer can also match input and output level, look down at the scale, and determine the relative gain obtained from the mastering process. This control has a scale of -2 to +8dB in 0.5 dB steps. The S&M Width was covered in depth in the previous paragraph. Lastly, the Output level control dictates the final level that passed on to the A/D convertor.

What the pros are saying about the MASTER:

  • “I’ve never mastered a song without a Dangerous MASTER! And I can’t imagine it. With the S&M feature on the MASTER, you can really fix some problems in mixes, and address balance issues… Comparing it to Mid-Side processors in the digital realm I just think it’s a ‘Day and Night’ difference.” — Colin Leonard (Mastering Engineer)
  • “I’m a huge fan of the Dangerous MASTER’s S&M circuitry. It always seems to add an elegant width and depth to the mix. The Dangerous gear has certainly created an advantage. Another reason we have been able to establish ourselves in a highly competitive field is that aside from the gear sounding great…our Dangerous gear has been truly steady and stable.” — Emily Lazar (Mastering Engineer)
  • “I can’t say enough about the quality components and sonic integrity…it doesn’t get much better than this. I could hear the difference between AD/DA converters…choosing between them…for each session…has become effortless. I cannot imagine working without the Dangerous MASTER.” — Larry DiVivo (TapeOp Magazine)
  • “Dangerous Music really got it right with the Dangerous MASTER.” — Andrew Mendelson (Mix Magazine)
  • “I love all the Dangerous Music equipment. I use the MONITOR ST, the MASTER, and two 2-BUS LTs for my mixing and stem-mastering.” — Noël Jackson (Mastering Engineer)
  • “The Dangerous MASTER immediately made a huge improvement in the quality of my work. I think it’s the cleanest sounding solution available.” — Dave McNair (Mastering Engineer)

Dangerous Music MASTER Features:

  • Audiophile-grade components yield crystal-clear sound
  • 3 insert points are front-panel switchable for integrating external analog processing
  • S&M button provides you with integrated Mid-Side processing
  • S&M Width knob modifies the width of your overall stereo field
  • Stepped controls ensure easy repeatability
  • 2 stereo inputs and 3 stereo outputs (1 for monitoring)
  • Seamless connection with the Dangerous Liaison

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SettingsDangerous Music MASTER Mastering Transfer Console removeDangerous Music D-BOX+ Monitor Controller & Summing Mixer removeRupert Neve Designs 5059 Satellite Summing Mixer - Shelford Edition removeZoom L 20 R Mixer Digitale 20 Canali. Recorder E Interfaccia Audio Formato Rack removeRadial Space Heater Summing Mixer and Tube Drive removeSPL MixDream Analogue Summing Unit remove
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Description
ContentDangerous Music's MASTER brings the amazing analog sound and functionality of previous Dangerous boxes to the mastering world with a truly unique approach that will give your projects an edge over your competitors. Three insert points are front-panel switchable for integrating external analog processing and there's something special lurking behind the S&M Width knob. With the S&M button depressed, MASTER engages a "Sum or Minus" mode that controls the stereo spread and much more. Every mastering engineer that incorporates outboard gear into their rig needs a MASTER!

Powerful processing at your fingertips

There's truly nothing quite like MASTER. The S&M functionality adds a remarkable element to your mastering arsenal. Imagine being able to modify the frequency content of the program material residing in the left/right aspects of the stereo field without changing the spectrum of the center material. With MASTER, you can. Hit the S&M button, activate insert #2 with a stereo EQ connected, and you can work wonders with the sound. Say the vocals (panned center) sound fine in the mix, but you'd like to brighten the guitars and cymbals a bit (which reside in the left and right panning positions). S&M removes the center material temporarily so you can process the extreme left and right signals without coloring the center material. The S&M Width knob can also modify the width of the overall stereo field. The engineers here at Sweetwater love the flexibility of the MASTER!

A plethora of useful controls

From left to right, you've got L/R Level controls, three buttons that trigger the insertion of outboard gear in the signal path, a button that individually selects which inputs are being processed, a button that triggers Stereo or Middle Sides mode on insert 2, and a button that selects whether the Monitor Output jacks have the Input or Output signal sent to the monitor section. Next up is the Input Monitor Offset. This is very handy to match the input and output levels to listen to the effect of processing without the level difference clouding one's judgment. The engineer can also match input and output level, look down at the scale, and determine the relative gain obtained from the mastering process. This control has a scale of -2 to +8dB in 0.5 dB steps. The S&M Width was covered in depth in the previous paragraph. Lastly, the Output level control dictates the final level that passed on to the A/D convertor.

What the pros are saying about the MASTER:

  • "I've never mastered a song without a Dangerous MASTER! And I can't imagine it. With the S&M feature on the MASTER, you can really fix some problems in mixes, and address balance issues... Comparing it to Mid-Side processors in the digital realm I just think it's a 'Day and Night' difference." — Colin Leonard (Mastering Engineer)
  • "I'm a huge fan of the Dangerous MASTER's S&M circuitry. It always seems to add an elegant width and depth to the mix. The Dangerous gear has certainly created an advantage. Another reason we have been able to establish ourselves in a highly competitive field is that aside from the gear sounding great...our Dangerous gear has been truly steady and stable." — Emily Lazar (Mastering Engineer)
  • "I can't say enough about the quality components and sonic integrity...it doesn't get much better than this. I could hear the difference between AD/DA converters...choosing between them...for each session...has become effortless. I cannot imagine working without the Dangerous MASTER." — Larry DiVivo (TapeOp Magazine)
  • "Dangerous Music really got it right with the Dangerous MASTER." — Andrew Mendelson (Mix Magazine)
  • "I love all the Dangerous Music equipment. I use the MONITOR ST, the MASTER, and two 2-BUS LTs for my mixing and stem-mastering." — Noël Jackson (Mastering Engineer)
  • "The Dangerous MASTER immediately made a huge improvement in the quality of my work. I think it's the cleanest sounding solution available." — Dave McNair (Mastering Engineer)

Dangerous Music MASTER Features:

  • Audiophile-grade components yield crystal-clear sound
  • 3 insert points are front-panel switchable for integrating external analog processing
  • S&M button provides you with integrated Mid-Side processing
  • S&M Width knob modifies the width of your overall stereo field
  • Stepped controls ensure easy repeatability
  • 2 stereo inputs and 3 stereo outputs (1 for monitoring)
  • Seamless connection with the Dangerous Liaison
The original D-BOX can be found in both project and professional studios worldwide. Its practical fusion of analog summing and monitoring has earned it countless accolades. The D-BOX+ eclipses its predecessor, thanks to an upgraded summing mixer, more speaker outputs, mastering-grade D/A, Bluetooth connectivity, remote operation, and more. This indispensable box will help you achieve that elusive “glued-together” sound, and you’ll hear your mixes like never before — it’s one of the easiest ways to advance your project studio into the pro league. The D-BOX+ — it belongs at the center of your studio.

8 channels of analog summing to pump up your mix

When you bring up Dangerous Audio, the first thing that pops into most people's minds is analog summing. After all, they invented the standalone analog summing mixer in 1999 with their groundbreaking 2-BUS — and the original D-BOX brought this exciting technology to project studios everywhere. The D-BOX+ features an upgraded 8-channel summing mixer that’s guaranteed to inject new levels of headroom, dimensionality, and clarity into your mixes. Get the D-BOX+ and your panning will become more precise. Reverbs and delays will become more engaging. Bass will become punchier, mids more detailed, and highs more open. The D-BOX+ will elevate your mixes.

5 analog and digital inputs — and more — at your fingertips

The D-BOX+ is like a large-format console’s center section. It provides routing and switching for your studio’s inputs and outputs, both analog and digital. Five input sources are at your fingertips: analog stereo, the onboard 8-channel summing mixer, USB, AES/SPDIF, and a wireless stream from any Bluetooth-enabled device. The D-BOX+ also includes three stereo speaker outputs, which can be programmed to be mono and/or to include a subwoofer. Beyond that, you can use the third output as source for an independent sub with individual level and mute control.

Mastering-grade D/A delivers results you can trust

At Sweetwater, we like to say, "if you can't hear it, you can't mix it." That's why we love the D-BOX+. Whether you're placing a mic, tweaking an EQ, or preparing a final master, you'll hear everything. Advanced clock stabilization, top-of-class chipsets, and world-class, audiophile-grade analog circuitry add up to a D/A that’s as powerful as it is nuanced. It delivers true mastering-grade quality you can trust. You also get a pair of top-shelf headphone amplifiers that ensure clean, powerful, and accurate sound that’s tailor-made for fine-grained quality control listening. Thanks to D-BOX+’s no-compromise design, you’ll experience crystal-clear audio fidelity and flawless performance across its entire feature set.

Loaded with pro-studio essentials

Harness your studio’s full potential with the D-BOX+’s comprehensive routing capabilities. Take command of your monitoring with three independent speaker outputs and a programmable speaker selector. Benefit from an onboard talkback mic with push-button activation. Gain remote control over all of the D-BOX+’s major functions (volume, dim, talkback, I/O select, and more) with the free D-BOX+ app for macOS, Windows, iOS, and Android. The D-BOX+ makes a powerful centerpiece for any studio.

Dangerous Music D-BOX+ Summing and Monitoring System Features:

  • Upgraded 8-channel analog summing mixer injects headroom, dimensionality, and clarity into your mixes
  • 5 input sources: analog stereo, the onboard 8-channel summing mixer, USB, AES/SPDIF, and a wireless stream from any Bluetooth­-enabled device
  • Switch between inputs and toggle between 3 sets of studio monitors for audio referencing
  • Speaker outputs can be programmed to be mono and/or to include a subwoofer
  • Mastering-grade D/A includes advanced clock stabilization, top-of-class chipsets, and world-class analog circuitry
  • Top-shelf headphone amplifiers are tailor-made for fine-grained quality control listening
  • Onboard talkback mic with push-button activation
  • Free D-BOX+ app supplies remote control over all of the D-BOX+’s major functions (volume, dim, talkback, I/O select, and more)
Working inside the box? Sweetwater would like to recommend a summing mixer that will seriously up your game: the Rupert Neve Designs 5059 Satellite Shelford Edition. If you record and mix entirely within your DAW, you’re hampered by the inability to leverage the sonic advantages of high-quality analog outboard gear. Enter the 5059 Satellite. The 5059 gives you 16 channels — each with individual level and pan, plus insert and bus-2 send buttons. You get two stereo buses with RND’s proprietary Silk Texture controls, giving you effortless integration with outboard equipment, total control for two separate stem mixes, and the facility to dial in harmonic enhancement in two distinct flavors.

It’s a Neve

In serious audio circles, Rupert Neve needs no introduction. Large-format Neve consoles from the 1970s are considered by many to be the pinnacle of analog mixer design. Boasting the same design heritage and sonic perfectionism that went into the boards used to record countless hit records, the 5059 Satellite Summing Mixer graces your tracks with legendary Rupert Neve warmth, punch, and presence. With 16 channels of Rupert Neve designed Class A alchemy and flexible tonal and routing options, the Rupert Neve Designs 5059 Satellite Summing Mixer will take your DAW-based studio’s sound to a whole new level.

Dial in the Silk

The Rupert Neve Designs’ 5059 Satellite Summing Mixer’s continuously variable Texture controls with Silk and Silk+ modes let you fine-tune the harmonic ratio and tonality of each of 5059’s stereo buses. The Silk mode adds sparkle to your tracks by introducing alluringly airy transformer saturation in the high frequencies. Silk+ mode accentuates saturation in the low frequencies, adding density and thickness to the source — particularly desirable when you’ve got a dry, lackluster mix. Distinctly different sounding from equalization, Texture saturates the output transformers, adding sweet, musical even-order harmonics to your source material for authoritative, radio-ready mixes that blast right out of the speakers.

Flexibility: it’s a beautiful thing

The dual stereo outputs of the Rupert Neve Designs 5059 Satellite Summing Mixer are perfect for creating stem mixes, which you can enhance using the 5059’s Silk/Texture controls, then process through bus compressors or other devices via the inserts, finally feeding into the inputs of another mixer or your interface. You can send any input to stereo bus 1 or 2, and create two very different-sounding mixes from the same 16 channels. These are just some examples of the amazing flexibility you’ll enjoy when integrating the 5059 into your recording rig. Smartly attired in classic Shelford livery, the Rupert Neve Designs 5059 Satellite Summing Mixer is housed in a rugged, fan-cooled 2U steel chassis for dependable, no-compromise professional performance year after year, in the studio or on the road.

The legend continues

Rupert Neve’s 80-series consoles had a huge, punchy, and authoritative sound that defined the sound of ’70s rock. From London to New York to Los Angeles and beyond, top studios were installing Neve boards as fast as they could. By 1977, with the introduction of the NECAM automation system, 80-series boards were the main component of the success formula for any recording studio with world-class aspirations. Mr. Neve’s current company, Rupert Neve Designs, continues to advance the state of the art with cutting-edge products that sound incredible and intelligently address the challenges of the digital age. With your Rupert Neve Designs 5059 Satellite Shelford Edition from Sweetwater, the legend continues.

Rupert Neve Designs 5059 Satellite Summing Mixer Shelford Edition Features:

  • Classic Neve: Class A, all transformer-balanced, and awesome-sounding
  • Zero crossover distortion and unmatched purity
  • Custom transformers provide galvanic isolation and serve up "larger than life" sound
  • Sets a standard for rackmountable summing mixers
  • 16 inputs/channels (with level controls, pans, and inserts); 2 stereo buses
  • Send any input to stereo bus 1 or 2, each with variable Silk/Silk+ Texture
  • Dual Stereo Outputs let you split the input channels into 2 stems for further processing and mixing
  • Stereo buss 1 and 2 each has its own XLR outs
  • DB-25 line input, insert send/return connectors
  • Rugged 2U fan-cooled chassis, clad in classic Shelford livery
20 canali (16 mono e 2 stereo) con ingressi combo jack 1/4/XLR - 22 tracce di registrazione simultanea e 20 tracce di playback - 22in/4 out USB come interfaccia - 6 monitor out - uscita cuffie con jack da 1/4 - phantom su tutti i canali XLR a gruppi di 4 - ingresso Hi-z sui canali 1 e 2 - pad di 26dB - compressore sui canali da 1 a 16 - tasto master mute - low-cut 40-600 Hz. 12dB/OCT - stereo panning - master e monitor out (A-F) - fino a 9 scene salvabili - doppio processore effetti regolabili - class compliant con sistemi iOS - App iOS per controllo a distanza tamite BTA-1 Bluetooth adapter (incluso) - registrazione su SD card (fino a 24bit/96kHz) o su PC/MAC come scheda audio - Rack ears incluse Dimensioni: Lunghezza 55.5cm - Profondità 23.7cm - Altezza 43.6cm - Volume 0.057m³ Zoom # L-20R - Mixer digitale 20 canali. recorder e interfaccia audio - formato rack # P.A. / Mixer # Serie LiveTrackAn 8-channel stereo summing mixer with 12AX7 tubes for sonic excitement, the Radial Space Heater can add incredible depth and harmonic richness to your tracks. Recording engineers at Sweetwater know that summing in the analog domain, as opposed to within your DAW, is a great way to get that big-console sound. The Space Heater's variable tube overdrive allows you to add everything from subtle transformer warmth to rich harmonic distortion. From gluing individual drum tracks into a cohesive kit to mixing down your final stems, the Radial Space Heater will add a great sound to your productions.

Tubes and transformers are just what your digital tracks need

No matter how well you record your tracks, or how you approach your mixes in your DAW, it's hard to beat the undeniably rich and deep sound that summing in the analog domain is known for. Instead of investing in a large analog console, a summing mixer like the Radial Space Heater is the perfect match for DAW-based studios. The transformer-coupled outputs add a touch of warmth, and variable tube overdrive is perfect for adding sparkle to vocals, depth to acoustic instruments, and even full-on distortion for extreme effects. Send your stems through the Space Heater, record the stereo mix back into your DAW, and you'll be impressed with the results.

Variable voltage for fine-tuning the tube sound

The Radial Space Heater not only gives you variable tube overdrive for each stereo input pair, but it also allows you to switch between 35-volt, 70-volt, and 140-volt operation. Use the 35-volt setting for maximum grit and distortion, or switch over to 70 volts for cleaner headroom and a smoother sound. When you want the cleanest headroom, switch over to 140 volts. You can adjust the voltage for each stereo input pair individually, which means you can add gritty overdrive to rock vocals while giving bass and drums tons of clean headroom for a deep, punchy sound.

Two useful studio tools in one

One look at the back panel tells you that the Radial Space Heater is ready to be a studio workhorse. Each of the eight channels can be set up as a hardware insert, which means you can send individual tracks through the Space Heater to add tube saturation and transformer warmth. Once your individual tracks are perfect and you're ready to sum your final mix, run your stems through the Space Heater and record the final stereo mix to your DAW. The Space Heater is effectively a smart combination of four outstanding tube/transformer modules plus an analog mixer.

Radial Space Heater 8-channel Tube Summing Mixer Features:

  • Stereo summing mixer for adding warmth, depth, and harmonic richness
  • A 12AX7 tube for each input pair lets you add anything from subtle sparkle to full-on distortion
  • Transformer-coupled outputs add a touch of character while maintaining a high-quality, low-noise signal
  • 3 adjustable voltage modes (35-volt/70-volt/140-volt) allow you to adjust how much clean headroom you have before distortion begins
  • Use it as an analog summing mixer or as 4 individual tube saturation/transformer warmth modules
  • Multiple units can be linked for higher channel count

SPL MixDream Analogue Summing Unit

  • Analogue outboard summing mixer
  • Active Class A/60-volt stages
  • 16 inserts for mixing external effects
  • Individual and overall bypass relays
  • Reduced of A/D conversions
  • Efficient resampling individual tracks
  • Latency-free monitoring
  • Stereo expansion control for additional transparency
  • Analogue peak limiter for gain optimisation
  • Lundahl output transformers and inserts
  • Adjustable insert levels, output levels and peak limiters
  • Multiple units linkable for larger mixes
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