| Content | LiveU LU300 with BirdDog BDP200 Live Production Bundle with IP Pipe PTZ Control
LiveU LU300 - Compact HEVC Field Unit for On-the-Go Live Streaming. The LU300 is a small-sized, cost-effective and reliable HEVC encoder, enabling broadcasters and other content creators to transmit high-quality video on-the-go.
BirdDog P200 - Combining BirdDog's custom NDI silicon chip, 30x optical zoom, and Sony backlit sensor and image module, the BirdDog Eyes P200, in black, is a full NDI 1080p60 PTZ camera designed for large indoor spaces. Thanks to the fast autofocus and zoom ensured by the true Sony image module, the P200 is highly suitable for catching all the fast action in places such as sporting events.
LiveU LU2000 - The LU2000 bonded video decoder is used to receive, decode and playout any HEVC/H.264 bonded video streams sent by LiveU’s range of field units. The LU2000 can also be used as a transmission node when sharing video over the LiveU Matrix video management and distribution platform.
LiveU IP Pipe - Enhance your remote production set-up and reduce costs by remotely controlling your IP-based gear. LiveU’s IP Pipe gives you remote control over a wide variety of network-based equipment.
| End to End Automatic Production
Reducing production costs to a minimum, our fully automated production systems enable amateur clubs, schools, federations, media platforms and venues to generate live HD content to power their own digital media services, boost fan engagement and improve their coaching processes. What’s more, Pixellot footage is interactive and delivered to any device lets fans watch their favorite team from anywhere, produce their own highlight clips and even share them on social networks.
Pixellot S is based on their patented, fully automated production workflow that generates and delivers TV-like footage without a person in the loop.
Fixed Installation: Indoors or outdoors, weatherproof
Unmanned capture: Panoramic field capture in 6K resolution
Automated production: Auto-tracking algorithms follow the flow of play and produce TV-like footage
Distributed to any device: Streamed in 4K quality to mobile devices and web platforms
Personalized viewing experience: Zoom into any scene, replay, clip and share.
Pixellot S comes with a variety of modules to optimize your system for media or coaching use:
Automatic highlights
Taking auto-production to the next level, this module identifies game highlights like baskets or goals and automatically produces highlight clips.
Editing Module
Share the most exciting plays with your fans! Our editing module lets you cut high quality clips from HD footage, live and post-game, and distribute them on your media channels.
Manual Production Module
Produce any type of sports game and events and cover also anything that happens on the field before and after the game.
Coaching Module
Get more insight by reviewing the game by zooming into any play and cut high-quality clips to review with your team and players.
Scoreboard Module
Enrich your broadcasts through an integrated scoreboard display. Choose from a selection of fonts, colors and designs or upload your own personalized scoreboard graphics.
Commentator
Add a remote or local commentator to follow the action and improve the viewing experience
KEY FEATURES:
- Two camera lenses
- 1080p or 720p at 25 or 29.97 FPS
- Uses Cat6 cables (POE)
| BirdDog 3x P200 Cameras (White) and 1x FREE PTZ Keyboard
BirdDog Eyes P200 Camera: Designed for serious production the image quality of P200 is best in class. Built on a true Sony Image module with Sony CMOS backlit sensor, P200 has super fast focus, incredibly sharp images, and amazingly fast zoom. P200 has frame rates up to 1080p60, 30x optical zoom, and outputs SDI, HDMI, and NDI simultaneously.
BirdDog PTZ Keyboard: BirdDog PTZ Keyboard is a full featured PTZ Keyboard that supports NDI®, NDI|HX, Visca over IP, RS422, and RS232. By harnessing BirdDog’s next generation NDI® and IP technology, it’s never been easier to discover, connect, and control your PTZ cameras. Featuring superior ergonomics, premium buttons and joystick, all in a beautiful form factor this is the PTZ controller you have been waiting for. Universal control. Mix and Match protocols.
| The HD integrated camera AW-HE145 realizes high sensitivity of F9/2000lx with the mounted 1.0-type MOS sensor, and can shoot beautifully at stage events or church services with low light. The operation mechanism is the same design as the high-end model, so the operating performance of the pan/tilt and zoom is smooth and accurate, allowing you to shoot without stress. Furthermore, it is equipped with an optical 20x zoom and horizontal 75.1° wide-angle lens to realize flexible video production.
KEY FEATURES
- High Sensitivity Achieved with the 1” Large-sized Sensor
- Optical 20x Zoom/Horizontal 75.1° Wide-angle Shooting
- Pan/tilt Performance that Achieves Smooth and Accurate Operation
- Enables high-quality video production even in dark environments
- SRT support for stable video transmission
High-Quality Full-HD 60p Shooting
Full-HD output and 59.94p shooting achieve extremely smooth video, even in live sports and other environments containing rapid movement.
SRT support for stable video transmission over public lines
SRT, a next-generation video transmission protocol with strong security suitable for unstable network environments, is supported.
Multiple Interfaces Supported
A wide range of outputs are supported: 3G-SDI, HDMI and IP.
Useful Software for Simplified Workflow
Compatible with a wide range of software, including the PTZ Control Center and Auto Tracking Software. This software will simplify the workflow of the PTZ camera shooting and reduces the burden of operation and management.
Dimensions (W x H x D)
213 mm x 267 mm x 219 mm (8-3/8 inches x 10-1/2 inches x 8-5/8 inches)
(excluding protrusions, direct ceiling mount bracket)
General
Storage Temperature
–20 °C to 50 °C (–4 °F to 122 °F)
Current consumption
4.0 A (XLR IN connector), 1.2 A (PoE++ power supply)
Power Requirements
12 V DC (10.8 V to 13.2 V), DC 42 V to 57 V (Camera Input, PoE++ power supply)
Ambient Operating Temperature
0 °C to 40 °C (32 °F to 104 °F)
Ambient Operating Humidity
20 % to 90 % (no condensation)
Finish
AW‑HE145W: Pearl white
AW‑HE145K: Metallic Black
Mass
Approx. 4.1 kg (9.04 lb) (excluding mount bracket)
Controller Supported
AW-RP150, AW-RP60, AK-HRP1000GJ, AK-HRP1015GJ, AK-HRP250GJ*1
LENS
Motorized Optical 20x zoom, F2.8 to F4.5
[f=8.8 mm (11/32 inches) to 176.0 mm (6‑15/16 inches);
35 mm (1‑3/8 inches) equivalent: 24.5 mm (31/32 inches) to 490.0 mm (19‑9/32 inches)]
MINIMUM ILLUMINATION
2 lx (F2.8, 59.94p, 50IRE, 42 dB, without accumulation)
Synchro scan
59.94p/59.94i: 60.00 Hz to 7200 Hz
29.97p: 30.00 Hz to 7200 Hz
23.98p/24p: 24.00 Hz to 7200 Hz
50p/50i: 50.00 Hz to 7200 Hz
25p: 25.00 Hz to 7200 Hz
Zoom
• Optical zoom: 20x
• i.Zoom: FHD 32x
• Digital zoom: 10x
Horizontal Resolution
1000 TV lines Typ (Center area)
Gain Selection
Auto, 0 dB to 36 dB*2
Super Gain function equipped : +37 dB to 42 dB
WHITE BALANCE
ATW : 3200K, 5600K
ATW Speed : Normal / Slow / Fast
AWB : AWB-A / AWB-B
VAR (selectable between 2000K and 15000K by designating a value)
Optical Filter
Through, 1/4, 1/16, 1/64, IR through (IR through is used as “Night mode”)
Output Format
1080/59.94p, 1080/50p, 1080/29.97p*4, 1080/29.97PsF, 1080/25p*4, 1080/25PsF, 1080/23.98p*5, 1080/24p*4, 1080/23.98p*4, 1080/23.98PsF, 1080/59.94i, 1080/50i, 720/59.94p, 720/50p
Color separation optical system
1MOS
Focus
Switching between auto and manual
Focus Distance
Entire zooming range: 1000 mm (3.3 ft)
Wide end: 100 mm (0.33 ft)
Gamma
HD / FILMLIKE1 / FILMLIKE2 / FILMLIKE3/ FILM REC / VIDEO REC / HLG
Scene File
Scene1, Scene2, Scene3, Scene4
Electronic Shutter Speed
59.94p/59.94i: 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
29.97p: 1/30, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
23.98p/24p: 1/24, 1/48, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
50p/50i: 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
25p: 1/25, 1/50, 1/60, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
Imaging Sensors
1-type Full-HD MOSx1
Chroma Amount Variability
OFF, –99 % to 99 %
Camera Unit
-
Frame mix*3
0 dB, 6 dB, 12 dB, 18 dB, 24 dB
Conversion Lens
Not supported
Angle of View Range
Horizontal angle of view: 75.1° (wide) to 4.0° (tele)
Vertical angle of view: 46.7° (wide) to 2.3° (tele)
Diagonal angle of view: 82.8° (wide) to 4.6° (tele)
Standard Sensitivity
F9, 2000 lx (When normal mode is selected)
INPUT
-
OUTPUT
-
Input/Output Connector
LAN
LAN connector for IP control (RJ‑45)
RS-422
CONTROL IN RS-422A (RJ‑45)
MIC/LINE input
AAC compatible (compatible with IP only)
ø 3.5 mm stereo mini jack
Input impedance: Approx. 10 kΩ (unbalanced)
• During MIC input
Supported mic: Stereo mic (plug-in power, on/off switching via menu)
Supply voltage: 2.5 V ± 0.5 V
Mic input sensitivity: Approx. –40 dBV (0 dB=1 V/Pa, 1 kHz)
• During LINE input
Input level: Approx. –10 dBV
INPUT/OUTPUT
-
Pan/Tilt Operation Speed
Minimum speed 0.08°/s
Maximum speed 60°/s or higher*8
• Maximum speed is 180°/s in high-speed mode
Quietness
NC35 or less
Tilting Range
–30° to 210°*9
Panning range
±175°
Pan-tilt Head Unit
-
Installation Method
Stand-alone (Desktop) or suspended (Hanging)*7
Camera/pan-tilt head control
IP connecting cable:
LAN cable*6: (category 5e or above, straight cable), max. 100 m (328 ft)
AW protocol connecting cable:
LAN cable*6: (category 5e or above, straight cable), max. 1000 m (3280 ft)
Supported operating systems and web browsers
Windows
Microsoft(R) Windows(R) 10
Windows(R) Internet Explorer(R) 11 (64-bit/32-bit)
Microsoft Edge
Google Chrome
Mac
MacOS v11.0.1 / Safari 14.01
MacOS v11.0.1 / Google Chrome
MacOS V10.15 / Google Chrome
MacOS V10.14 / Google Chrome
iPhone / iPad
iOS
Google Chrome
Supported Operating Systems and Web Browsers*10
-
Image Resolution
-
IP Streaming
-
Image Streaming Mode
JPEG (MJPEG), H.264, H.265
1920x1080, 1280x720, 640x360, 320x180
-
Image Transmission Setting
JPEG
Frame Rate: Maximum 30 fps, Image quality (Fine / Normal)
H.264
Transmission Type: Unicast port (AUTO), Unicast port (MANUAL), Multicast port
Transmission Priority: Constant bit rate, Frame rate, Best effort
Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps
Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
H.265
Transmission Type: Unicast port (AUTO), Unicast port (MANUAL), Multicast port
Frame Rate: [60Hz] 60fps / 30fps, [50Hz] 50fps / 25fps
Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
NDI|HX
Transmission Type: Unicast port (AUTO), Unicast port (MANUAL), Multicast port
Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps
Max Bit Rate 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
SRT H.264
Transmission Type: UDP Unicast Only
Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps
Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
SRT H.265
Transimission Type: UDP Unicast Only
Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps
Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
RTMP/RTMPS
Frame Rate: [60Hz] 60fps / 30fps / 15fps / 5fps, [50Hz] 50fps / 25fps / 12.5fps / 5fps, [24Hz] 24fps
Max Bit Rate: 24576kbps / 20480kbps / 16384kbps / 14336kbps / 12288kbps / 10240kbps / 8192kbps / 6144kbps / 4096kbp / 3072kbpss / 2048kbps / 1536kbps / 1024kbps / 768kbps / 512kbps
Supported protocol
IPv6: TCP / IP, UDP / IP, HTTP, HTTPS, DNS, NTP, DHCPv6, MLD, ICMP, ARP, RTSP/RTP
IPv4: TCP / IP, UDP / IP, HTTP, HTTPS, RTSP/RTP, DHCP, DNS, DDNS, NTP, IGMP, ICMP, ARP, RTMP, RTMPS, SRT, MPEG2-TS over UDP
Audio Compression Type
AAC-LC, 48 kHz / 16 bit / 2ch
Other Function
-
Tally LED display color
red / green
NDI Support*11
NDI | HX
| First 4K 60p/50p PTZ Camera supporting NDI and SRT in the world
Supports high bandwidth NDI for low latency transmission of high-quality 4K 60p/50p video, and SRT for high-quality and stable transmission, and also compatible with 12G-SDI output for use in a wide range of situations, from live streaming of events to studio production.
Supports a wide variety of IP transmission protocols, including NDI, NDI|HX, and SRT
High bandwidth NDI that can transmit 4K video at speeds of up to 250 Mbps and full HD video up to 100 Mbps is included to provide high-quality low latency live video transmission with a single LAN cable. High efficiency low bandwidth NDI|HX is also included to enable video transmission at low bitrates. SRT is also supported to maintain stability while transmitting high-quality video, even in unstable network environments. RTMP/RTMPS provides direct streaming to live broadcasting services such as YouTube Live and Facebook Live from the camera.
Supports 4K 60p/50p shooting and 12G-SDI output
Supports 4K 60p/50p video at 3840 x 2160 to provide smooth and high-quality shooting of moving images, and a wide variety of output interfaces such as 12G-SDI, 3G-SDI, HDMI, and IP.
Includes a wide-angle lens with a 74.1 Degree field of view and 24x optical zoom
A wide angle lens with a horizontal angle of view of 74.1 degrees enables a wide area to be shot from a limited installation space, and 24x optical zoom maintains high image quality at high zoom ratios. This allows shooting in large indoor spaces.
Supports FreeD for building AR/VR systems
FreeD command output enables connection with AR/VR systems. This allows the camera tracking information (pan/tilt/zoom/focus/iris) to be output together with a synchronization signal to easily build systems without an encoder.
Adopts new mechanical pan/tilt for improved responsiveness and quietness
The inclusion of a Direct Drive mechanism improves the responsiveness of pan/tilt and quietness during pan/tilt operations. In addition to Optical Image Stabilization (OIS), Electronic Image Stabilization (EIS) has been added for the roll direction. This provides stable video shooting even at locations utilizing robotics and rail systems, etc.
Panasonic AW-UE100 Features
- First 4K 60p/50p PTZ Camera supporting NDI and SRT in the world
- Supports a wide variety of IP transmission protocols, including NDI, NDI|HX, and SRT
- Supports 4K 60p/50p shooting and 12G-SDI output
- Includes a wide-angle lens with a 74.1 Degree field of view and 24x optical zoom
- Supports FreeD for building AR/VR systems
- Adopts new mechanical pan/tilt for improved responsiveness and quietness
| Academic version available to qualified school purchasers and teachers only. Proof of qualification required for order approval.
Live video production simplified!
Wirecast Gear gives you an easy to use, fully configured live video streaming production system. Because we’ve already done all the work, there is no need to build your own system! Start streaming in minutes with an end-to-end system configured specifically for your needs. With Wirecast Pro included alongside Gear's custom-designed hardware, it's a live event production switcher, live news production system, Facebook Live switcher and YouTube Live switcher - all in one box.
Each model of Wirecast Gear comes with Xeon Server architecture, up to five HD-SDI or four HDMI professional camera inputs and all the live video streaming production features of Wirecast Pro, the Stock Media Library*, NewBlue Titler Live Complete, and Switch Player, all in a compact, powerful hardware system.
Wirecast Gear offers a unique blend of performance, ease of use and affordability. Just plug in your cameras and start producing and streaming your professional events with the industry-leading turnkey video production system.
*with an active Wirecast support subscription
CAPTURE
With a durable and portable rack mounted design, Wirecast Gear is the perfect hardware for your permanent studio or for use on location. HDMI or SDI inputs, server-grade components and industry-leading XLR/TRS combo audio inputs make ingesting media into your Wirecast Gear unit both reliable and easy.
PRODUCTION
With Wirecast Pro, the integrated Stock Media Library*, Switch Player and NewBlue Titler Live Complete preloaded into all Gear units, producing your live streams has never been more professional, polished or powerful. Create beautiful titles, draw from over 500,000+ unique media assets, and pull it all together with Wirecast Pro to create the perfect broadcast for your viewers, no matter the destination.
*with an active Wirecast support subscription
STREAMING
Encoding live streams can take a toll on a computer’s CPU, but not on Wirecast Gear. With hardware accelerated encoding, Xeon server architecture, a dedicated NVIDIA QUADRO graphics card*, multiple simultaneous encodes and 3rd party thermal testing, Wirecast Gear is ready for even the most demanding broadcasting schedules and workflows . |
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